Oct
15

The Art of Emergency

Originating at a 2016 conference, the edited book "The Art of Emergency: Aesthetics and Aid in African Crisis" edited by Ndaliko and Andreson (2020) is a unique contribution. Admittedly this is not an area I've followed closely. Published by Oxford University Press, the book has a companion artistic website and covers a wide range of artistic expression amidst or related to emergency - the NGO gaze, art as resistance, art as NGO activity and communication, art as healing, art as reconciliation. The editors summarize the book as: "The Art of Emergency confronts the combustive force of creativity erupting in the wake of material crises across the African continent. Art produced in the context of emergency not only directly implicates local politics but moreover provides a map of the often illusive relationships between power and aesthetics. Through ethnographic and historical case studies, the scholars, artists, and activists in this book explore how actors on the ground employ creativity as a currency with which to regulate the forms and forces laid bare by catastrophe" (p. 1).  

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Sep
16

The Seed Is Mine - The Life of Kas Maine

Written in 1997, following what sounds to be an extensive oral history data collection effort, Charles van Onselen wrote "The Seed is Mine". The book brings to life the experiences of one, and one who might otherwise not have any other record in the written historical documents (exception on legal note). This book is an exemplary of oral history. It is heavy and presents immense detail, which at times can be slightly overwhelming as a reader, but nonetheless an important contribution and a product of exceptional work and detail. What I enjoyed about the book was the detail, where the dominant narratives are made complex, complicated or turned around with the lived experiences of Kas. In so doing, the book provides many new windows into seeing, and vicariously experiencing, South Africa of another time. Some examples from the book:

"The foreman lured Kas within his reach, caught hold of him by the arm and then-while he and the stable hand danced his disciplinary jig-called for his wife to remove the leather strap that he had hidden in his back pocket. Before the lady could oblige Kas, inspired by the need for improvisation in a novel such setting, sank his teeth into a conveniently situated white finger, which promptly spurted enough blood to elect a chorus of shouting and swearing from a clearly impressed Mrs. van der Walt. A half-dozen blacks, suspecting that oaths and cries on such a scale could only be summons for their services, suddenly appeared from nowhere to witness some deeply concerned Maine kinsmen persuading Kas to release the hapless foremans finger." (p. 42)

"Kas had reason to feel proud. At a time when most white farmers-who had enjoyed privileged access to commercial banks and the state's services to organised agriculture-where producing maize harvests of around three hundred bags, his family, with far more limited financial resources at their disposal, has matched their efforts. Nevertheless. The price of maize was disappointing-something that the Triangle's deeply suspicious populists ascribed to the functioning of the state's newly introduced Maize Control Board. At eight shillings and sixpence per bag, nobody was going to get rich, but Kas was grateful to have exceeded his target." (p. 194)

"After a careful inspection and much discussion, Kas agreed to purchase plots thirty-one and thirty-four for seven hundred pounds. he put down two hundred pounds as a deposit and agreed to pay the balance in smaller installments over an unspecified period. Phitise, equally impressed, bought himself a plot on basically the same terms. These two open-ended transactions conducted beneath the summer sun on a stretch of stone-strewn veld outside Ventersdrop were the outcome of thirty years labour on the land and a lifetime's ambition to own property." (p. 344)

"The odyssey which had begun in hope at Kommissierust in 1921 and ended in resignation at Varkenskraal in 1956. It took thirty-five years and fifteen farms for the likes of Hendrik Verwoerd and his supporters to get to the Maines where the Nationalists wanted them. The trekpas did not show how a man who but six years earlier had possessed 8 horses, 12 donkeys, 60 cattle, and 220 sheep had now been reduced to owning less than 40 animals. The Mains, who had entered the Mooi river valley on a ford truck with the chance of acquiring freehold property of their own, were leaving on an ox-wagon for a residential stand on a communal farm in a 'black spot.' Kas was on his knees." (p. 387) 

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Feb
05

On the Commodity Trail

Alison Hulme's "On the Commodity Trail: The Journey of a Bargain Store Product from East to West" (2015) tracks the geographies that products move within. Starting with an inquiry in Bargain Stores, Hulme begins in the dump in Shanghai, then to factories, over seas in containers and via global ports, back to the bargain store, and projecting the likely return to the dump. I picked up the book looking for an ethnography I might use to teach an introductory undergraduate course. This did not fit that purpose, but is interesting nonetheless. Unfortunately for the author, the commodities spaces change so rapidly that this 2015 publication could be read as a history, as these geographies and processes have changed so rapidly. The book is easy to read and is well suited to lower level undergraduate courses.

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Nov
28

Becoming Legal

Ruth Gomberg-Munoz first book, Labor and Legality (2011), explores the lives of undocumented Mexicans living in Chicago. This book, Becoming Legal: Immigration Law and Mixed-Status Families (2017), explores the experiences of seeking legal status. The chapters follow the process, rooted in ethnographic research. The book is accessible. I used this book in a first-year undergraduate course and the content was well suited, particularly alongside some more theoretical readings. Recommended reading for those seeking an introduction to the use of ethnography and legal anthropology. 

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